baron grimm

German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.
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baron grimm christophwillibald gluck oil painting


christophwillibald gluck
Gemälde ID::  60251
Siehe Galerie in Schweden
christophwillibald gluck
mk270 christophwillibald gluck, painted by duplessis in 1775.when gluck was alternating between vienna and paris.
mk270_christophwillibald_gluck,_painted_by_duplessis_in_1775.when_gluck_was_alternating_between_vienna_and_paris.
   
   
     

baron grimm for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow oil painting


for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow
Gemälde ID::  60252
Siehe Galerie in Schweden
for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow
mk270 for act i of gluck s opera orfeo ed euridice, for a performance of the french version in moscow, 1897
mk270_for_act_i_of_gluck_s_opera_orfeo_ed_euridice,_for_a_performance_of_the_french_version_in_moscow,_1897
   
   
     

baron grimm Orfeo ed Euridice oil painting


Orfeo ed Euridice
Gemälde ID::  60253
Siehe Galerie in Schweden
Orfeo ed Euridice
mk270 the title page of the first edition of the score of orfeo ed euridice, published in paris in 1764.
mk270_the_title_page_of_the_first_edition_of_the_score_of_orfeo_ed_euridice,_published_in_paris_in_1764.
   
   
     

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     baron grimm
     German critic. He worked as a diplomat in Paris from 1749. Influenced by the Encyclopedists, he favoured the use of the Italian style in French operas (especially those of Rameau, ', ', ', ', ', ', ', '); in the Querelle des Bouffons of the 1750s he rejected all French music in favour of Rousseau, writing the satirical tract Le petit proph??te de Boehmischbroda (1753) and other works. He was a friend to the visiting Mozart family, 1763-4 and 1778.

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